“Katz Menu” by Magenta, Belgium, concludes our Lars Wallentin design voting.
Annonse
About Lars:
Lars G. Wallentin is beyond any doubt the world's most recognized packaging design specialist. For more than 30 years he has traveled the world to teach how to create brands, packaging and communication in the most efficient manner possible. Lars is also an exceptional showman. Each of his lectures is a real treat, where the audience learns while having fun. He is also highly appreciated as a jury member in design competitions. Today, Lars Wallentin continues his passion, giving advices to design agencies and brand owners all over the world.
Magenta in Brugge, Belgium, which was established as a graphic agency back in 1989, has become a partner for many companies in drawing up strategy, media planning and graphic design. They deliver customization with a healthy mix of creativity and reality.
- Offline or online, regional, national or international, we give every project all, they use to say.
And this is their statement on the “Katz Menu”, which won a “Gold Pentaward 2011”:
- This is a new range of colorful packages with a high percentage of fun. They were specially designed for the early adopter, but also for young parents, who know what their cat wants. We took a “Golden Pentaward” for this funny line of cat food. Need a better reason to be proud?
Wallentin comments on his contribution to our series of 25 design stories and also to the “Katz Menu”:
Lars Wallentin:
When Ragnvald asked me to comment on some of the “Pentawards” winners, of course I said yes, and I was very flattered. --- Only now do I realize what a difficult job it is, as I can't be too negative in my comments, as I will then be “attacked” (and perhaps hated as long as I live -) by both the winners and my friends Evrard.
It goes without saying that I most likely would have voted to 80% as the jury, but now and then selected other designs. I am not sure that I would have selected the “Katz Menu”. I obviously like and admire the cat cartoon, which gives a very high shelf impact (but compared with “Felix” – no further comments). But the rest is what I call “half-way”.
The Katz logotype could have been worked on a little more. Imagine what a drop-shadow would have added! The Cooper black typeface (I hope I'm right – it's a long time since I studied type-faces) at the bottom looks a bite trite.
Well: A nice idea that could have been far better.


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